Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.
南宋时汉水(💣)(shuǐ )流(liú )域河盗(🌁)猖(🥒)獗,朝廷(tíng )为(wéi )剿灭(🐾)匪(🚃)患派出“横江(jiā(👀)ng )军”精英章(zhāng )盖出任(🔅)特(🤡)使,稽查河(hé )上(shàng )大案。查案中与退(🐸)(tuì(🛬) )役(yì )军人莫客偶遇(🎞),二人(rén )在误会(🧟)中(👚)建(jiàn )立(lì )友谊。恰逢(🥒)莫(🚅)客亲(qīn )人(ré(✊)n )女(⛑)孩玉佩被河盗掳(lǔ(🐅) )走(😋)(zǒu ),二人携手(shǒ(📌)u )救出玉佩(pèi )和被拐(🔨)儿(🦑)童(tóng ),将河盗正法,还(👜)一(yī )方(fāng )平安(📕)。
牧(🌱)江村郊野山(shān )藏有(🕙)一怪,赤面獠牙(🧞),名(😯)曰垃圾(jī )人(rén ),他身(🍣)世(🥋)神秘,以(yǐ )垃(lā(🌴) )圾为食,日遇村妇马(🕚)(mǎ(⛓) )秀娟,将其(qí )掳掠。马秀娟通过与(yǔ(🅾) )垃(🛴)(lā )圾人的交往,发现(🍹)(xiàn )他(tā )虽丑陋(🚢)骇(👆)人,却心地(dì )单纯。但(😹)天(🖖)(tiān )不(bú )遂人(😌)愿(🌉),“单纯”的(de )垃圾人却将(👱)马(🐂)秀娟(juān )视(shì )为(🌄)配偶,囚于废弃厂(chǎ(🎥)ng )房(📆)。矿山老(lǎo )板(bǎn )徐东南徐西北两兄(👩)(xiō(🖍)ng )弟(dì )欲借炸山除垃(🌠)圾人之(zhī )名在(🍭)野(😪)山非(fēi )法拓矿,全然(🛢)不(🍤)顾马(mǎ )秀(xiù )娟(⬛)安危。而垃圾人(rén )通(😾)(tō(🛤)ng )过马秀娟逐渐(⚽)了解人(rén )类的尊重(📣)与(🆔)(yǔ )爱,遂将其放归牧(🙏)江(jiāng )村(cūn )。马秀(🍫)娟(⌛)得知徐东(dōng )南(nán )阴(🍫)谋(🍷)后为救垃圾(👚)人(📶)与(yǔ )之抗争,最(zuì )终(🥥)(zhō(🛀)ng )被绑于山上,垃(🐌)圾(jī )人(rén )为救马秀(🚛)娟(👪)与徐东(dōng )南(nán )死命相搏,后被徐东(🕺)(dō(🍲)ng )南炸死。环(huán )保(bǎo )组(📣)织声明垃圾人(🍝)出(📸)(chū )现(xiàn )乃牧江村的(🎙)环(♋)保意识(shí )薄弱(🐘)之恶果(guǒ ),垃圾人(ré(🦀)n )本(🦍)无罪,罪(zuì )在(zà(📥)i )人心对环境的态度(🧥)(dù(🍬) ),并呼吁民众善待环(😫)境(jìng )。
It's summertime in a hot and empty Buenos Aires. Marcela's world is shaken when her sister dies, leaving her completely out of sorts. Still grieving, she must deal with clearing out her flat. One of her daughter’s young friends, Nacho, appears on the scene, eager to help, a presence which leads to shared road trips and adventures. During these confusing days, people and conversations from another time will mingle, prompting questions, while the imminence of everyday life closes in on her.
Three terrifying tales to keep you awake all night: ‘Night of the Sea Monkey’, ‘(👹)Lamb Feed’(🌾) and ‘Homewrecked’ – a trifecta of 80s throwback terror with mauling monsters, home invasions gone haywire and stomach-turning human sacrifice.
Art dealer Trevor and his best friend Dante, an Italian/American fashion photographer, holiday in Capri where they both fall for Antonia, a local beauty. One of them marries her. Back in London Antonia is last seen in Regent's Park walking her Jack Russell terrier. The remains of a female body are recovered from Regent's Canal, and both her husband and his best friend are suspects in what increasingly appears to be a murder. This fast-moving story travels backwards in time. Exploration of the mystery of Antonia's fate follows twists and turns as hair-raising as the roads on the mountainous isle of Capri. The audience is ushered to the astonishing ending, proving along the way that the deepest mystery of all is that of the soul torn between desire and loyalty.