It's summertime in a hot and empty Buenos Aires. Marcela's world is shaken when her sister dies, leaving her completely out of sorts. Still grieving, she must deal with clearing out her flat. One of her daughter’(🗼)s young friends, Nacho, appears on the scene, eager to help, a presence which leads to shared road trips and adventures. During these confusing days, people and conversations from another time will mingle, prompting questions, while the imminence of everyday life closes in on her.

西(xī )部荒(🈂)野，住着麦克林夫妇(🐗)(fù )——伊(📁)(yī )萨克（阿什利·(📒)祖(🐱)克曼(mà(🏹)n ) Ashley Zukerman 饰(💤)）和(hé )莉(⬆)兹（凯特(⏺)琳·杰(jié )拉德 Caitlin Gerard 饰(shì(🃏) )）。这里条(🚠)件艰(jiān )苦，环(huán )境恶(😫)劣(liè )，人烟(🎉)稀少，野(yě )兽(shòu )横行(♏)。莫(👬)大的孤寂(🚤)令莉兹时(🍭)常(cháng )警惕(😏)地(dì )环视四周，防备(🦅)(bèi )一切可(🥋)能(néng )的危险。某天，哈(🔶)普尔(ěr )夫(🏖)妇(🙉)——吉迪恩（迪(✨)伦(🕶)·麦蒂 Dylan McTee 饰(shì )）和艾(🕧)(ài )玛（茱(💱)莉亚·古(gǔ )丹妮·(🚊)泰勒斯 Julia Goldani Telles 饰(🏑)）搬到了麦克林(lí(🛥)n )家附近(jì(💐)n )，成(👵)为他们的(🚣)邻(lín )居。两(👏)(liǎng )家人很(hěn )快就成(⏬)了好朋友(🌀)(yǒu )，特别是(shì )莉兹有(🚽)了艾玛这(🛄)(zhè )个好姐(jiě )妹，似(sì(🎅) )乎(㊗)心理也正(💼)常了(le )许(xǔ(⤵) )多。

An estranged family take a trip to the desert in their used RV but become stranded and isolated in the scorching terrain. They soon learn their RV holds terrible, haunting secrets, and it starts killing them off one by one.@艾(ài )米(🚵)电影网

Paul is an average guy. He likes movies, and pizza, and average guy things. He does not like - musicals. But Paul's small world is about to come crashing down under the weight of unspeakable terror. Now he must run, run for his life, as something sinister spreads, and grows, and sings, and dances. The town of Hatchetfield is plunged into a musical hell in - 'The Guy Who Didn't Like Musicals!'

1995年，Jonas是个躲在(💘)(zài )柜中的(🐲)(de )14岁男孩，他对英(yīng )俊(🧐)潇洒的(de )同(🍦)学(🖌)Nathan一见钟情，尤其对(🍲)(duì(😯) )Nathan桀骜不(bú )驯的一面(〰)又爱又怕(🎋)。18年后(hòu )，三十(shí )而立(🥪)的Jonas已是风(🈺)流(liú )倜傥的(de )熟男，却(🏰)仍在寻找(🈵)人(🛁)生(shēng )平(píng )衡点，因为(🍹)挥之不去的(de )回忆阴(🏧)(yīn )影，他(tā(🔊) )回到睽违已久的(de )家(⚡)(jiā )乡，试(shì(🚢) )图在每个记忆角(jiǎ(🚧)o )落(🥡)，寻(xún )找早(🏌)已(yǐ )失去(🆎)的线索、(🛁)14岁(suì )的(de )自己，以及他(😐)曾经爱过(🆚)的那个(gè )男孩…

Paul is an average guy. He likes movies, and pizza, and average guy things. He does not like - musicals. But Paul's small world is about to come crashing down under the weight of unspeakable terror. Now he must run, run for his life, as something sinister spreads, and grows, and sings, and dances. The town of Hatchetfield is plunged into a musical hell in - 'The Guy Who Didn't Like Musicals!'

本(🔂)故事讲述(💷)的(〽)是(shì )上世纪90年(niá(😴)n )代(➰)末发生在陕西关中(🔑)农(nóng )村的(🧝)童(tóng )年故事。在以成(😭)绩高低作(🙂)(zuò )为评判(pàn )学生好(👟)坏的环境(🐚)(jì(🚴)ng )中，小(xiǎo )学生巴王超(⏯)过在老师与(yǔ )家(jiā(⛏) )长的眼(yǎ(🥔)n )中是那种不学无(wú(🧗) )术的“渣滓(⛺)”。得不到家长和(hé )老(🦕)(lǎ(🤱)o )师认同(tó(💓)ng )的巴王超(👣)过，将(jiāng )田(🍲)野里(lǐ )一棵可(kě )以(🏼)栖息的大(📸)树变(biàn )成(chéng )了自己(♊)(jǐ )的“好地(📟)方(🎴)”，并将所(suǒ )有“好(hǎ(📰)o )玩(🗺)”的东西都藏(cáng )在了(🍈)那棵(kē )大(🗂)树的上面。孩子的天(🏺)(tiān )性，让(rà(🍜)ng )巴王超过与成人世(🔱)界充满(mǎ(🎢)n )了(👚)斗争(zhēng )，直到有一天(🌵)，他的处(chù )境因为前(🙏)来支教的(🏳)粉提(tí )老(lǎo )师而改(💉)(gǎi )变了！粉(🚲)提老师(shī )让他负(fù(🌧) )责(🙌)班级(jí )里(🔋)的图书管(🔫)理员(yuán )，同(🏣)时他(tā )也与女老师(🔻)成了(le )好朋(Ⓜ)友(yǒu )，他的(de )“好地方”也(🚨)成(chéng )了(le )女(⛔)老(🚮)师(shī )的“好地方”。然(💸)而(👢)好(hǎo )景不(🎭)长(zhǎng )，他在(👧)粉提老师(🎺)(shī )面前特殊(shū )的待(🔠)遇，又因为(⭕)粉提老(lǎo )师的男(ná(🛷)n )朋友的到(🍈)来(🚋)而改变了……

生田(🛂)斗(dòu )真、瑛太主演(🔌)前(qián )少年(🗡)犯(fàn )题材电影《友罪(🏗)》，改(gǎi )编(biā(🦗)n )自药丸(wán )岳的同名(🦕)小(📵)说，由濑濑(🆚)(lài )敬久执(🤰)(zhí )导。

故事(🎆)发生在(zài )墨(mò )西哥(👘)城(chéng )的一(🈳)个中产阶级(jí )社区(🕍)“罗马”，讲述(🌕)年(🤝)轻女佣(yòng )克(kè )里(✳)奥(🕌)（雅利扎(👑)·阿巴里(💭)西奥饰(shì(📽) )）在雇(gù )主索菲亚(⬆)（玛丽(lì(📏) )娜·德·塔维拉饰(🦎)）家中工(😋)作(💜)，该家中(zhōng )索菲亚的(🌦)丈夫长期在外，由女(⏩)佣(yòng )克里(➰)奥照顾索菲(fēi )的四(🈁)个(gè )孩子(📹)。突如其来的两个(gè(✌) )意(🛑)(yì )外，同(tó(❗)ng )时砸中了(🍍)女佣克(kè(👋) )里奥和(hé )雇主索(suǒ(🔱) )菲亚，两人(🔺)究竟(jìng )该(gāi )如何面(🎋)(miàn )对苦涩(🚬)茫(🎃)然的生(shēng )活？四(🏢)(sì(📒) )位孩子(zǐ(🥘) )似乎是希(😦)望所在(zà(❗)i )。 这是以(yǐ )导演阿方(🤒)索·卡隆(🏋)的儿(ér )时记忆(yì )铸(👙)成的影片(♏)，而(🌚)卡隆其实(shí )就是片(💻)中某一位小孩。

It's summertime in a hot and empty Buenos Aires. Marcela's world is shaken when her sister dies, leaving her completely out of sorts. Still grieving, she must deal with clearing out her flat. One of her daughter’s young friends, Nacho, appears on the scene, eager to help, a presence which leads to shared road trips and adventures. During these confusing days, people and conversations from another time will mingle, prompting questions, while the imminence of everyday life closes in on her.