Three families from three different level of society are involved in an accident. Immorality and betrayal which are in some families will take the natural right of the children- All in the dark are the same, human do not make the same decision in the specific situation and in the end no one is guilty. The wrong culture of a society will force the human to do the mistakes so we should not judge the people and their behavior..

故事发(🏨)生在2045年(nián )，虚(xū )拟(nǐ )现实技术已经渗透到了人(🕒)类(🏢)生(🔭)活的(de )每(měi )一(yī )个(👐)(gè(⛲) )角(💰)落。詹姆斯哈利迪(👉)（(🔥)马(🔄)克·里(lǐ )朗(lǎng )斯(sī ) Mark Rylance 饰）一手建造了名为“绿(🧖)洲(🎻)”的虚(xū )拟(nǐ )现实(shí(🏖) )游(🌬)(yó(😯)u )戏世界，临终前(🖋)，他(😑)宣(👎)布(📴)自己在(zài )游戏(xì )中(zhōng )设置了一个彩蛋，找到(➡)这枚彩蛋的(de )人(rén )即(jí(🗑) )可(🏷)成(😘)(chéng )为绿洲的继承(🃏)人(💡)。要(🚶)找到这枚(méi )彩(cǎi )蛋(🐓)(dàn )，必(bì )须先获得三把钥匙，而寻找钥匙(shí )的线(🎉)(xià(🎧)n )索(🎃)(suǒ )就隐藏在詹姆(🧦)斯(⛩)的(🗂)过往之中。

民国(guó(👤) )时(🦏)(shí(🤱) )期(qī )军(jun1 )阀混战。来到烧锅镇投亲的张扬(yáng )，在(🕔)(zà(🌯)i )探寻(xún )姑父死因中(💷)逐(🌱)渐(🥈)知晓刘天德多(🌑)(duō(🏑) )年(🚾)(niá(👈)n )前伙(huǒ )同(tóng )冯有等，杀害镇上烧锅大户齐家(🙆)(jiā )抢夺(duó )酿(niàng )酒秘方(🌜)一(🗞)事(😮)。最后在张扬的帮(🍆)助(🔰)下(🛴)(xià )锄(chú )奸(jiān )去恶(è(🍺) )、伸张正义，齐旺则率众人重(chóng )振(zhèn )仁(rén )义泉(👿)(quá(🌊)n )。

一(🔽)对情侣外出度假(💬)，入(🐫)住(🏖)豪宅(zhái )，然(rán )而(é(💋)r )，当(⏭)他(🥗)们半夜醒来，却发现自己躺(tǎng )在(zài )一(yī )个(gè(🌯) )处(🔲)处充斥着恐怖氛围(🍪)的(⤵)荒(🤝)弃诡宅(zhái )中(zhō(🌰)ng )…(🌑)…(😇)他(🛩)(tā )们意欲逃离，然而却始终逃不(bú )出(chū )去，努(🎾)(nǔ )力奔逃，但逃往的地(🕳)点(🛫)却(😃)还是这(zhè )所诡(guǐ(😷) )异(😓)(yì(🛴) )的荒宅……更恐怖(💊)的是，当他们再(zài )度(dù )回(huí )到这(zhè )座诡宅，却发(🍻)现(🥐)，时(🤽)间跟他们(men )走(zǒu )出(🎍)(chū(⛲) )去(🤥)的(de )时间，一样……(🚲)

《梦(📮)想(🍫)之城》是(shì )一部(bù )现(xiàn )实主义题材的创业电(🌵)影(🎎)。影片展现(xiàn )了(le )佛(fó(🕳) )山(✡)(shā(🐰)n )作为改革开放(🌸)前(🆗)沿(😺)阵(🙁)地，40年来所(suǒ )取(qǔ )得(dé )的巨(jù )大成就和显著(⛰)变化。故事通过(guò )描(miá(🦄)o )写(📄)在(😤)(zài )风(fēng )云激荡的(📺)改(🔚)革(🍷)开放大潮中，祖辈(bè(❤)i )生活(huó )在(zài )佛山的阿宽（保剑锋饰）与外来(🐤)追(😠)(zhuī(❌) )梦(mèng )者(zhě )北北(bě(💿)i )（(🧐)金(🐂)巧巧饰）等人在(👚)奋(📫)斗创业(yè )路(lù )上(shàng )的不(bú )同经历、际遇和人(🌅)生(🔦)抉择，展现(xiàn )出佛(fó(😶) )山(💓)(shā(🥠)n )人“敢为人先、(🈂)崇(🔬)文(🔲)务(✋)实、通济和(hé )谐(xié )”的(de )性格气质和城市精神(🏽)。

每年八月(yuè )，夜(yè )幕降(🚾)(jià(😸)ng )临(📕)下的爱丁堡城堡(🍽)，就(🥨)只(🧟)属于(yú )戏(xì )剧和(hé(🕑) )军(jun1 )乐，力与美的表达。

收到媽媽從(cóng )山上(shàng )寄(jì(💕) )來(🌃)的(📆)蜜蘋果，小月計算(😰)著(🐁)，媽(🐛)媽已(yǐ )經(jīng )在(zà(☝)i )外(📽)工(gōng )作許久了，媽媽的搖籃曲總是(shì )在(zài )耳(ě(🔦)r )邊(❗)呼(hū )喚著。『你媽多(🎣)久(👬)沒(😾)回來了？』是(🍮)小(🤥)(xiǎ(🥏)o )月(🛹)(yuè )（13歲）與碧艷（15歲）兩個小女孩彼(bǐ )此(⛴)(cǐ )關(guān )心(xīn )的話語。

Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.

藝(😘)術(🧕)家(🗼)自古皆寂寞或許(🤥)(xǔ(💞) )是(🐿)(shì )境(jìng )界，人到中年(🔶)萬事憂則是現實。在畫(huà )室洋(yáng )洋(yáng )灑灑呈現(🥈)自(🚾)由(🐝)雄風的裸男畫作(⏩)令(🏘)他(😺)一(yī )舉(jǔ )成名，在(😯)家(🤦)面對前妻懷着新歡骨肉(ròu )、與(yǔ )女兒(ér )相處(✋)尷(🤵)尬卻令他一籌莫展(📝)。貝(😏)(bè(👫)i )蒙(méng )特的寂(jì(🤟) )寞(🐊)，在(🛵)於(✒)如何在著名畫家與單親(qīn )爸爸(bà )雙(shuāng )重身(🎰)份、藝術創作與家庭(👼)生(🎱)活(🐺)之間(jiān )取(qǔ )得(dé(🏔) )平(😦)衡(🤛)。維羅（《電影就在街角》，35 屆(jiè )）找來(lái )合作多年的編劇兼美指好友(😐)對(🦏)號(🍧)(hào )入座(zuò )，還原藝(🎄)術(💪)家(🌛)有血有肉的矛盾本(🛁)性，在(zài )出(chū )世與入世的兩難外，毋忘點點超現(🌤)(xià(🥩)n )實(shí )的(de )幽默(mò )。

巴勒(⛏)斯(✖)坦(🛂)電視台攝製臥底(🌃)肥(👈)(fé(🤡)i )皂(zào )劇，連(lián )以色列婦孺都晚晚追看。編劇因(🕉)(yīn )情節(jiē )背(bèi )離革命(🚧)而(🅱)辭(🐍)職，監製的多口侄(🧒)仔(📱)助(🙌)(zhù )理(lǐ )受(shòu )命執筆，頻頻借女角之口，向電視(shì )機(jī )前(qián )的舊(jiù )愛(🤥)示(🕰)好(🔀)，以色列檢查站軍(⛹)官(👭)則(🤮)企(qǐ )圖恃(shì )權(quán )影(🌃)響劇情發展，以便在追看的嬌妻面(miàn )前(qián )自(zì(🏕) )吹(🧟)自擂。助理即使槍抵(🌴)腦(🏒)殼(🍡)，都(dōu )不(bú )肯(kěn )接(🎰)受(🍶)(shò(📨)u )軍官要求的大團圓結局。抗爭(zhēng )，必須繼(jì )續(📩)！影展新秀蘇亞比巧妙(🚿)調(💡)侃(🔘)以(yǐ )巴關(guān )係(xì(🚵) )，他(😜)的(🏤)喜劇座右銘是：要能大笑，必(bì )須(xū )面對苦痛，並與之周旋。獲威尼(🍬)斯(🥂)(sī(🔛) )地(dì )平(píng )線單(dā(🕵)n )元(🐢)最(👕)佳男主角獎。