Set in the early 80s, K. G. F. - the first chapter centers the protagonist who leads a battle against oppressors in ysgou.cc Kolar Gold Fields.

A D-Day rescue mission turns ugly when a band of Allied soldiers battle with horrific experiments created by the Nazis.

Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.

When everything comes crashing down, two destructive siblings are trying to maintain a balanced psyche.

在法院(🥛)擔任公設(shè )辯護人的李(📯)慧貞，接任(🔅)一樁由名律(👤)師(shī )王國超中途解除委(❓)(wěi )任的青(💫)(qīng )少年殺人(🔹)案(àn )。

在贝(bè(🕳)i )鲁特一个(👫)街(🤳)(jiē )角的咖(🕜)(kā )啡店二楼(🏡)，有一面(miàn )大(🤷)大的转角(🍆)(jiǎo )窗和一(yī(📂) )台电视机，一位78岁(suì )的退(🥈)伍将军(jun1 )和(💶)一位(wèi )81岁的(🤯)退伍军(jun1 )医每(💁)天(tiān )早上都(🧝)会在(zài )这(🆚)里碰(pèng )面，看(🤯)着街(jiē )角车(✍)来(lái )人往(🍌)，做(📺)着填字游(💟)(yóu )戏，以此对抗阿茨(cí )海(🏘)默综合症(🚾)。伴随(suí )两位(⭕)老人的玩笑和(hé )字谜，咖(🏇)啡馆的顾(💷)(gù )客纷纷登(🌹)场。本片(piàn )用(👙)发生在一(🛋)个(🚵)社会(huì )小(⛑)角落(luò )16天之(🔯)内的一(yī )系(⛱)列事(shì )件(🧜)，四两拨(bō )千(🍠)斤地(dì )讨论了人生(shēng )、(👓)政治(zhì )、(🔤)历史等话(huà(🔴) )题；通(tōng )过(🅰)单场景多(🤓)(duō(🕡) )幕剧的(de )结(⚡)构让人感(gǎ(🙅)n )受到老(lǎo )人(📉)们的孤独(🔄)(dú(😢) )，以及(jí )疾(👾)病带来的(de )苦涩，同时映射(🆗)出黎巴嫩(🆖)(nèn )暴力事件(🍄)肆虐的现(xiàn )状。以小见大(🅿)，令(lìng )人回(🌏)味。

不管这导(🕯)(dǎo )演嗑了什(⛪)么很纯的(🆎)(de )，全(🎎)部都要给(🕣)你来(lái )一点！在澳洲这座(🔆)(zuò )曾经被(👪)(bèi )称作「无(🥫)主(zhǔ )之地」（Terra Nullius）的大陆(🕗)(lù )，历史(shǐ(🖤) )以前所未见(🤩)(jiàn )的观点(diǎ(🧜)n )重新诠释(😫)：(🍿)当《疯(fēng )狂(🌷)麦斯》末(mò )日(🚕)场景(jǐng )成为(💭)难民拘(jū(🖖) )留地，食人羊(🍙)成为(wéi )反殖民(mín )叛乱份(🎉)子，《沙漠(mò(👄) )妖姬》与电(dià(📶)n )视剧《请喜欢我》有了跨(kuà(😄) )时空的酷(🕹)儿对话……(🚔)本片以近似(😞)DJ取样(yàng )混(🧒)音(🚼)之拼贴手(🥕)法，打开了虚构与史实(shí(🛸) )间的神秘(🌝)黑洞，大(dà )量(🌟)援引(yǐn )电影名场景(jǐng )与(🚷)历史(shǐ )典(🛀)故，穿越(yuè )时(🎸)空与(yǔ )各种(🐗)语境，重写(🚟)、(💤)改写、乱(💉)写(xiě )，全面(mià(🏪)n )毁坏观众的(⏬)(de )三观！这是(⏮)一部政(zhèng )治(🐊)复仇(chóu )预言，杂揉(róu )讽刺(📁)喜(xǐ )剧、(📣)生态恐(kǒng )怖(💝)与公(gōng )路电影类型(xíng )，写(😔)下(xià )澳洲(㊙)国族神话从(❎)未(wèi )被纪录(💲)的史诗篇(🕸)章(🏵)(zhāng )。